MOVERS SHAKERS MAKERS
What makes creative people tick? How do they find and develop their inspiration? Welcome to the podcast that draws back the curtain on the inventive mind and its artistic process with a series of interviews between host Emma Lister and performers, choreographers, designers and other artists. Look out for our special mini-series, like 'Ballet for the 21st Century' and 'Ballet Macabre'.
MOVERS SHAKERS MAKERS
Ballet Macabre - The Chosen One
We start our mini series with THE RED SHOES (1948) and SUSPIRIA (2018) as Emma Lister, long time film lover, podcast host and ballet dancer guides us down the dark hallway that is the use of ballet in horror movies.
Guests Zoe Ashe-Browne and Diarmaid O'Meara join to give their insights as professional dancers and amateur cineasts on perhaps the foundational ballet horror film: Michael Powell and Emeric Pressburger's The Red Shoes. They marvel at Moira Shearer's technique, discuss the feasibility of the film's stage calls and ponder the selective marathon that is the path to a professional dance career.
Fast forward 70 years and dance and horror has gone expressionist. Luca Guadagnino's Suspiria remake (don't worry we're cover the first one later!) is a bat-sh*t crazy mash up of choreographers Mary Wigman, Pina Bausch and Martha Graham's work, with some highly meme-able red string costumes to boot. Overflowing with ideas the film opens a discussion on the ultimate chosen one in The Rite of Spring and instances when the dancer/choreographer relationship can turn vampiric.
Bonus reel: Josephine Decker’s MADELINE'S MADELINE (2018)
